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DIY Projector Screens - Part I - Paint Your Own Projection Screen
Home-Made Home Theater
So you've decided to bite the bullet and build your own home theater system. Congratulations! One of the key choices in your set-up is deciding which technology to use for your display - a direct view monitor, a rear projection television (RPTV), or front projection television (FPTV). The choices are vast, but if you really want that immersive BIG PICTURE experience, then chances are good that you'll ultimately choose a front projection system. If you're still trying to choose a projector, then you might want to read our companion article "How To Select a Front Projector for Home Theater."
A front projection television (FPTV) is any projection system that is comprised of two distinct parts: a projector (usually mounted on the ceiling or on a shelf or back wall, sometimes even on a coffee table) and a screen to display the projected image. Front projectors are ideal for large-screen viewing because you can generally make the image as large as you want, as long as you have the space for it and your projector has adequate brightness and detail.
Where it might cost you $3000 or more for a measly 50-inch plasma flat panel, or a comparable amount for a 60 or 70 inch RPTV, you could spend much less and get a nice looking HDTV-capable front projector with a diagonal screen size of 100 inches or more. This is the great draw of front projection - getting a screen size that approaches that of a professional theater and takes full advantage of today's high quality sources, all without breaking the bank.
But many people who choose front projection televisions don't get the full potential out of their investment, because they skimp on an item that contributes a great deal to the overall quality: the screen itself. Let me tell you right now: projecting on a white or light-colored wall, painted with standard latex paint is not going to give you the full performance of your front projector. No sir, not even close.
You see, standard latex paint is not designed to reflect light in a neutral and even fashion. Some paints, particularly off-white colors with a matte finish, absorb so much light that they can cut down the brightness of your image, instead of enhancing it. Meanwhile semi-gloss and gloss finish latex paints can be so revealing and overly reflective that any minor defect in the wall will be accentuated by the paint, and this can prove very distracting when trying to enjoy a film.
And though it may seem counterintuitive, a pure white wall is not always the best color choice when working with today's digital projectors. Most LCD, DLP and LCOS projectors benefit from a screen with a light grey color, as this can enhance the perceived contrast ratio, making blacks look their deepest black and improving color saturation (more on screen color choice later). Don't worry about whites looking grey. Color perception is all about the perceived differences between visible colors -- white still looks perfectly white on an illuminated light grey screen.
Black is Back
To further enhance perceived contrast, a screen needs to have a dark (preferably black) non-reflective border or frame. This dark frame will make colors "pop" and prevents light bleed around the edges of the image. There is more than one way to make a frame for your screen. It can be simply painted around the edges of the screen, assembled out of black moulding, or made out of a special non-reflective black tape. We'll discuss the moulding and black tape methods in this series.
The final drawback to simply pointing your projector at your current wall is that many walls do not have perfectly flat surfaces. Whether we're talking about textured plaster walls that were never meant to be flat or the little bits of damage like nail holes and cracks that can accumulate over time, flaws in the wall's uniformity can create serious defects in the viewable image.
So what are your choices? Well, as with many things in life, it's either "build it" or "buy it."
To Build or to Buy - That is the Question
The simplest solution is, of course, to buy a good screen. Companies like Da-Lite, Carada and Stewart (among others) offer a wide range of projection screens of varying quality, size and gain. The slickest models offer built in motors so they can retract and extend on demand taking up almost no space and having the least impact on the aesthetics of your home theater (which may also be your living room). When they're not in use, these screens can be virtually invisible. But these tend to cost a significant amount, both for the product itself and for the installation, which may be a bit too complicated for the average home theater buff.
Other options include portable screens which collapse when not in use, pull-down screens which are wall- or ceiling-mounted and are pulled down manually when needed, and fixed mount screens that are installed either permanently or temporarily to the wall or ceiling. These are all valid options - particularly to those who do not own their own home, as you can take the screen with you when you go. But, again, as with motorized screens, the costs of the higher quality screens can be prohibitive to those on a budget, particularly when you start getting into the larger screen sizes (e.g., 100 or more inches measured diagonally).
So if you're looking for the best results with the biggest screen, your budget is fairly modest, and you know your way around a paint roller or spray gun, then painting your own screen is an extremely attractive and affordable option. By using specially formulated paints, designed to make the most out of the specific technology in your projector, you can get results comparable to mid to high-priced screens for a fraction of the cost.
Goo Systems - a Canadian paint manufacturer - has spent years of research and development perfecting paints for use in projection screens. Having seen ScreenGoo on display at shows like the New York Home Entertainment Show, the Big Picture Big Sound staff was eager to try it in an actual home theater. The lucky winner was resident film guru and co-founder, Joe Lozito. Joe's Sanyo PLV-Z2 LCD projector (3 chip LCD, 720p resolution, 16:9 aspect ratio) was previously being used to decent effect to project large images onto Joe's Manhattan apartment's bare walls. But the off-white marginally reflective latex paint, combined with a noticeable crack running the full height of the "screen" made the viewing experience far from perfect.
For Joe's project, we selected Goo's "Digital Grey" ScreenGoo and decided to assemble the frame out of wooden moulding painted matte black.
To find out how this project progressed, continue to DIY Projector Screen Part II.
Where to Buy Screen Goo Online:
Other Articles in this Series:
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