Big Picture Big Sound

Beautifully-crafted sci-fi entry in the "found footage" genre is both as wondrous and monotonous as deep space travel.

This second attempt to bring the "X-Men" character to a solo franchise moves along at a brisk clip but never finds its footing as either a brooding return to graphic novel form or a rousing actioner.

Zack Snyder's epic adaptation gives this generation a Superman movie to call its own. Call it "Superman Begins".

It's the end of the world as we know it, and I feel high.

This (fingers crossed) final installment of the stillborn franchise is as bleakly unfunny and tone-deaf as its predecessors. It succeeds in only one thing: making you want to get drunk enough to forget you saw it.

This ill-named sequel plays more like a transitional story than its own film.

Baz Luhrmann's delicious visuals struggle to enliven a fairly standard retelling of the Fitzgerald classic.

The third time's a charmer for this Marvel franchise, thanks to a clever script and, of course, its inimitable star.

An ambitious, visually stunning sci-fi mind-bender that doesn't quite live up to its lofty goals.

Film critic Roger Ebert dies at 70.