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Epson Home Cinema 1080 UB 1080p Home Theater Projector
By Chris Boylan
2008-05-05 21:00:07
We've had a few projectors through the Big Picture Big Sound
labs in the past few months including 1080p LCD models from Sanyo (PLV-Z2000)
and Panasonic (PT-AE2000). Both are
based on Epson's new D7 3-LCD chip which boasts increased contrast over its
predecessors. So how does Epson do with its
own implementation of the same chip in the Epson
Home Cinema 1080 UB? Read on to find
out.
Initial Impressions
Measuring in at 4.8 x 15.6 x 12.8 inches (HxWxD) and
weighing 12 pounds, the 1080 UB is noticeably smaller and lighter than the
Panasonic and Sanyo 1080p projector offerings, and this makes integration into
a living room or home theater a simple matter.
It can sit on a bookcase or coffee table or be placed in a more
traditional rear shelf or ceiling mount.
Its white color works particularly well with a ceiling mount, but its
curvy elegant lines won't be intrusive in plain sight.
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| Epson's Home Cinema 1080 UB 1080p 3-chip LCD Home Theater Projector. |
Unlike other projectors we have reviewed, the 1080 UB emitted an odd odor, like cooking plastic, the first few
dozen hours of use (it was never particularly objectionable and it faded over
time). Epson tells us that this is
normal as the unit burns in but not all units will emit this smell. And though it may be tough on the nose (temporarily), it's certainly easy on the ears. Its whisper quiet fan (24 dB) can only be detected if you place the unit just a few inches from your ear. It was never audible to me during regular use with the projector less than 2 feet from my ears.
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| Epson's D7 3LCD chips provide the basis for the 1080 UB's projection prowess. |
With its 3-chip light engine, the 1080 UB supports a wide
range of optical lens shift: +/- 47% horizontally, +/- 96% vertically. This translates to almost a full screen width
and nearly three screen heights of adjustment, without having to resort to
digital keystone controls. This lens shift
and the unit's zoom range (1 to 2.1:1) means you have a wide range of
installation options. You can project a
100-inch diagonal image from as close as 9.8 feet or as far as 20.9 feet
away. The projector's 1600 Lumen rated
brightness (in "Dynamic" mode) makes it brighter than the Panasonic and
Sanyo, which can help to display a watchable image without a completely dark
room. Of course, for best results,
darkness is always preferable, as is a lower lamp output setting.
In terms of inputs/outputs, the 1080 UB is generous enough
with 2 HDMI 1.3 inputs and one each of component video, S-video, composite and
VGA/DB15 (for a PC or Mac). It's likely
that most people will use just one or two of these and allow their receiver,
video processor or video switcher to switch between multiple sources (in order
to minimize the need for multiple long cables) so this jack-pack should be more
than adequate for most purposes.
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| The 1080 UB's remote features direct input access and full backlighting at the touch of a button. |
Ergonomically Correct
The 1080 UB's remote and menus were extremely easy to
navigate. During calibration, I
appreciated having "Color Temp" and "Contrast" buttons
right on the remote. This made adjusting
these settings simple (no need to go back in and out of the sub-menus over and
over). With no less than twelve
different color temperature settings (from 5500 to 10000 K), this would have
been tedious to navigate had the color temp settings only been available via a
deep menu option. I only wish they had
done the same with the Brightness, Color and Tint settings, but the menus were
pretty simple for these options so getting in and out to do the adjustments
wasn't so bad.
In addition to these buttons, the remote includes full
back-lighting for all keys, direct input buttons for each input,
"Aspect" and "Color Mode" buttons plus a few other picture
controls and, of course, the Menu and Navigation buttons, all of which were
fairly logically laid out. The projector does not have a "vertical stretch" aspect mode so if you want to use this with an anamorphic lens for a fixed height ultra-wide screen installation you'll need an outboard processor to do the anamorphic squeeze.
"Testing,
Testing"
With a quick run of an HDMI cable from our Onkyo
HDMI-switching receiver, the Epson projector was ready to shine (pun intended),
with source material coming from two Blu-ray Disc players (Panasonic DMP-BD30
and Sony PS3), a Sony High Def DVR, two different HD DVD players (the
Smithsonian Museum didn't want them) and some standard definition sources. After disabling the auto-iris feature and calibrating
the image with our SpyderTV Pro 2007 software package and colorimeter, we got
down to business.
First up was the Silicon Optix HQV test disc (Blu-ray
version) to see how the projector handled 1080i material. The 1080i video resolution loss test presents
the display device with an interlaced 1080 line (1080i) signal, sourced from a
1080p original. If a display's de-interlacer is worth its salt, you should be
able to see the full 1920x1080 details as the video processor pieces the 1080i
signal back into its 1080p original whole.
On the 1080 UB projector, this test pattern was rock solid with no
strobing and single pixel high horizontal lines appearing exactly as expected.
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| On our white screen the "5500" color teperature setting measured the closest to the 6500 Kelvin standard. |
On the similar 1080i film detail test sequence, there was
mild flicker as the projector's video processor "caught up" with the
inherent 2:3 cadence (this occurred each time the moving lines changed
direction), but this flaw was not as pronounced as on some other displays we have tested. On the 1080i "jaggies" test, the
projector did an excellent job reproducing a spinning white line with no
visible stair-stepping distortion. And
in the film detail sequence, where a camera pans across a football stadium,
individual rows of seats were clear with no moiré patterns visible in the
stands.
Moving on to the more challenging Standard Definition HQV
Benchmark DVD the projector's performance was similar to the Panasonic
PT-AE2000U, a spinning line became slightly wavy at 20 degrees of rotation but
then went back to smooth. And in the
3-line jaggies test, there was some minor stair-stepping on the bottom of three
lines. This represents very good (but
not perfect) diagonal filter performance in upconverting a 480i signal to
1080p. In the actual film-based jaggies
test sequence (a waving flag with brick background), the image exhibited some
minor jaggies, but nothing serious.
Details in the brick background, and in the separate "detail"
test on the disc were a bit softer than I've seen in the best upconverting
video gear, but not too far behind.
In the 2:3 cadence test (an extract from “Super Speedway”),
the unit was able to lock quickly to the underlying film-based cadence segment,
leaving the grandstands nicely detailed without a hint of waviness which is
evident on some lesser displays and processors.
On the final "mixed content" tests (scrolling horizontal and
vertical video titles superimposed on a film-sourced background), the projector
passed both tests easily.
I Like to Watch
In Blu-ray Disc movie watching, the projector's performance
was excellent - superb detail without a trace of screen-door effect from about
8 feet away on a 92-inch screen (no visible lines between pixels), great contrast and very good
color accuracy/saturation. The "UB" in the product name is for "Ultimate Black" and compared to
earlier generation LCD projectors, the name is quite appropriate. Blacks are about as inky as they get from consumer projectors, without losing detail in the whites or light colors. Blacks are still
not quite as deep as some three-chip DLP and DILA projectors (models which cost two to three times as much as the 1080 UB, if not more), but the performance is excellent overall and at least on par with the current
generation Sanyo and Panasonic projectors.
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| Epson Home Cinema 1080 UB - jack pack. |
The opening shots from Blade
Runner: The Final Cut on Blu-ray Disc looked awesome - deep dark skies,
golden yellow and red flames and excellent detail from the Tyrell corporate
headquarters building and the human eye that fills the screen. Starry night sequences from films such as Serenity and Sunshine looked, well, positively "stellar." Blacks and
shadow details on dark murky films such as "AVP: Requiem" were
excellent - still no comparison with the latest generation Pioneer Kuro and
Panasonic plasma flat panels. But hey,
as ISF guru Joel Silver says, it’s difficult to project the color black.
Performance on standard definition material was very good as well. In the Rome flyover sequence on the Gladiator DVD, lesser video processors make a mess of the diagonal lines in the rooftops. On the Epson, these lines were rock solid. This again shows thet the Epson is able to lock to the underlying 2:3 cadence of film-sourced material and decode it properly for 60 Hz playback. When we received press screeners of I Am Legend on both DVD and Blu-ray Disc, I actually had the standard DVD in the player for several minutes before I figured out I wasn't watching the Blu-ray version. I thought maybe it was a less than stellar transfer, but the DVD was actually quite watchable even blown up to 92 inches (by the way, the real Blu-ray Discs does look much better).
On a pure white screen, the black letterbox bars of a 2.4:1
aspect ratio film are still significantly brighter than the black borders that
surround the screen. As good as the 1080
UB is at reproducing blacks, I think it would still benefit from a touch of
grey in the screen color (e.g., a Stewart Firehawk or a Goo Systems Digital Grey Light if you paint your own DIY screen). This would
accentuate contrast and black levels even further.
Final Thoughts
Overall, the image from the Epson Home Cinema 1080 UB is
impressive, with great blacks and contrast, realistic colors and breathtaking
detail, particularly with high definition sources such as 1080i broadcast HDTV
and 1080p Blu-ray Disc movies. Its
performance with standard definition material isn't as impressive, though it's better than we've seen with many other projectors.
Considering how good the projector makes 1080p sources look, you'd be best served investing in a high quality upconverting DVD
player, or a high-end receiver or video processor so you can send the projector
an optimized 1080p signal, and let the 1080 UB do what it does best.
The Epson Home Cinema 1080 UB's price, feature set, installation flexibility and
performance contribute to make this a strong contender in the home theater
projector market and one of our top picks.
Where to Buy:
Specifications from the Manufacturer:
Projection System
- Epson C²Fine™ 3LCD
technology
Projection Method
- Front / rear / ceiling mount
LCD
- D7 0.74" wide,
poly-silicon TFT active matrix (with MLA)
- Resolution: Native 1080p (1920 x 1080 pixels progressive)
Projection Lens
- F-number
2.0 – 3.17
- Lens Shift
Range
Vertical ±96%
Horizontal ±47%
Lamp
- 170 W UHE E-TORL™ lamp
- Lamp Life1
Up to 3000 hours
Screen Size: (Projected Distance)
- 100" diagonal (wide:
9.8' – tele: 20.9')
- Aspect Ratio Native
16:9 (4:3 resize)
Brightness: (typical)
- Up to 1600 lumens (Dynamic
Mode)
Contrast Ratio
- Up to 50,000:1 (dynamic),
4,000:1 (native)
Color Reproduction
- Built-in Y/C separation and
I/P conversion
- Powered by Pixelworks™
- x.v.Color™
Adjustment Function
- Manual zoom
Manual focus
- Zoom Ratio
1 – 2.1
RGB
- Video Compatibility
HDMI
HDTV
Component video
S-video
Composite video
NTSC/PAL/SECAM
Analog RGB
D4/SCART
Video I/O
- Video Input Signal
NTSC
NTSC4.43
PAL
M-PAL
N-PAL
PAL60
SECAM
480i
480p
720p
1080i
1080p
- Terminal Inputs
2 HDMI 1.3
1 RCA (Component)
1 RCA (Composite)
1 Mini Din (S-video)
1 Mini D-Sub 9 pin (RS-232c)
1 Mini D-Sub 15 pin (Analog RGB)
General
- Dimensions: 15.6" x 12.2" x
4.8"
- Weight: 12 lbs.
- Price: $2999.99
What's in the Box?
- Epson
PowerLite Home Cinema 1080UB Home Entertainment Projector
- Lamp
(Installed)
- User's
Guide Kit (UGK) includes: User's Guide Manual, Private Technical Support
Card Holder with PIN card, Product Registration card, 2 Year Extra Care
Home Service Warranty
- Projector
Remote Controller (2 AAA Batteries Included)
- Power
Cable
Manufacturer's Contact Information:
Epson America, Inc.
3840 Kilroy Airport Way
Long Beach, CA, USA 90806
Telephone: 1-562-981-3840
Fax: 1-562-290-522
On the Web: www.epson.com
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Some movie photos courtesy of imdb.com
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