Why a high-def 16:9 master of a 35mm film? Why two different DTS-HD Master Audio 5.1 tracks? Why Linear PCM Stereo? Why an hour of new interview footage? For that matter, why the big suit?
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Why a high-def 16:9 master of a 35mm film? Why two different DTS-HD Master Audio 5.1 tracks? Why Linear PCM Stereo? Why an hour of new interview footage? For that matter, why the big suit?
More...